Feminist hymnody
Throughout Christian history, the language and imagery of worship has been overwhelmingly male. Congregations have sung of themselves as ‘men’ and ‘brothers’; apart from Mary the mother of Jesus, references to biblical characters have focused on males; and God has been addressed in terms that emphasise masculinity. For much of this time, the creators and leaders of liturgy have been almost exclusively men.
With the rise of ‘second wave’ feminism in the 1970s, there was a specific move towards feminist and inclusive language in Christian worship, which included hymn and song writing. However, while this is by far the most overt and vigorous period of such writing since the 19th century, it...
If you have a valid subscription to Dictionary of Hymnology, please log inlog in to view this content. If you require a subscription, please click here.
Cite this article
MLA style (see MLA Style Manual and Guide to Scholarly Publishing, 3rd Ed.)
. "Feminist hymnody."
The Canterbury Dictionary of Hymnology. Canterbury Press. Web. 15 Oct. 2024.<
http://www.hymnology.co.uk/f/feminist-hymnody>.
Chicago style (see The Chicago Manual of Style, 16th Ed.)
. "Feminist hymnody."
The Canterbury Dictionary of Hymnology. Canterbury Press, accessed October 15, 2024,
http://www.hymnology.co.uk/f/feminist-hymnody.