All for Jesus, all for Jesus
All for Jesus, all for Jesus. William John Sparrow-Simpson* (1859-1952).
This was written as the closing chorus, entitled ‘For the love of Jesus’, in John Stainer*’s cantata The Crucifixion, first performed in Marylebone Parish Church, London, on Ash Wednesday, 24 February 1887. The hymn should not be confused with a piece by the American writer Mary Dagworthy James* (1810-1883), which begins ‘All for Jesus, all for Jesus! All my being’s ransomed powers’*, and which may have been known to Sparrow-Simpson.
Only in recent years has Sparrow-Simpson’s hymn become well known outside its original setting. It appeared as an independent hymn in the British Methodist Hymns and Songs (1969) and its popularity in the last two decades of the 20th century is probably attributable to its inclusion in Broadcast Praise (1981). It originally had five stanzas (as printed in A&MCP), but the third verse, which refers to the Eucharist, is often omitted (as in Hymns and Songs and HP), making it suitable for a wider range of occasions:
All for Jesus - at thine altar
Thou wilt give us sweet content;
There, dear Lord, we shall receive thee
In the solemn Sacrament.
Some books make minor alterations, changing ‘thou’ to ‘you’ and removing ‘sons’ in the last stanza; HfTC (1982) adds a new penultimate stanza.
Sheila Doyle
Cite this article
MLA style (see MLA Style Manual and Guide to Scholarly Publishing, 3rd Ed.)
. "All for Jesus, all for Jesus."
The Canterbury Dictionary of Hymnology. Canterbury Press. Web. 5 Dec. 2025.<
http://www.hymnology.co.uk/a/all-for-jesus,-all-for-jesus>.
Chicago style (see The Chicago Manual of Style, 16th Ed.)
. "All for Jesus, all for Jesus."
The Canterbury Dictionary of Hymnology. Canterbury Press, accessed December 5, 2025,
http://www.hymnology.co.uk/a/all-for-jesus,-all-for-jesus.