¡Miren qué bueno!
¡Miren qué bueno! Pablo Sosa* (1933- ).
This buoyant three-stanza hymn (‘Oh, look and wonder’), with refrain, is a paraphrase of Psalm 133. The genesis of the hymn was an invitation in 1970 by the pastor of Flores Methodist Church in Buenos Aires, Argentina, to compose a song that would promote a sense of community and conviviality for an informal fellowship event following the morning worship service. The result was this accessible and now popular hymn composed in the chamarrita style, an Argentine dance-song form popular in the province of Pablo Sosa’s early childhood, Entre Rios. The song may be danced while singing with simple, graceful steps (Hawn, 2003, p. 42).
This is one of...
If you have a valid subscription to Dictionary of Hymnology, please log inlog in to view this content. If you require a subscription, please click here.
Cite this article
MLA style (see MLA Style Manual and Guide to Scholarly Publishing, 3rd Ed.)
. "¡Miren qué bueno!."
The Canterbury Dictionary of Hymnology. Canterbury Press. Web. 6 Nov. 2024.<
http://www.hymnology.co.uk/¡/¡miren-qué-bueno!>.
Chicago style (see The Chicago Manual of Style, 16th Ed.)
. "¡Miren qué bueno!."
The Canterbury Dictionary of Hymnology. Canterbury Press, accessed November 6, 2024,
http://www.hymnology.co.uk/¡/¡miren-qué-bueno!.